the poetic dramatic monologue, which finds
its popular source in Shakespeare, though
they are essentially introspective there,
philosophical rather than strictly narrative,
making them nevertheless, in a play, by
definition, dramatic, rightful claimants
still to that name, and which was
institutionalized as a poetic form by
Robert Browning later in the XlXth Century,
by upending the Shakespearean mode,
turning poems into plays instead of plays
into poems, makes its way into the XXth
Century, probably mostly unobtrusively,
no one really particularly notices, but
powerfully culturally nonetheless when
applied to, for instance, music, which is
to say poetry, of course, with notes
here’s Freddy Mercury’s complete version,
with a Greek chorus supplying oracular
* Bohemian Rhapsody
Is this the real life?
Is this just fantasy?
Caught in a landslide,
No escape from reality.
Open your eyes,
Look up to the skies and see,
I’m just a poor boy, I need no sympathy,
Because I’m easy come, easy go,
Little high, little low,
Anyway the wind blows doesn’t really matter to me, to me.
Mama, just killed a man,
Put a gun against his head,
Pulled my trigger, now he’s dead.
Mama, life had just begun,
But now I’ve gone and thrown it all away.
Didn’t mean to make you cry,
If I’m not back again this time tomorrow,
Carry on, carry on as if nothing really matters.
Too late, my time has come,
Sends shivers down my spine,
Body’s aching all the time.
Goodbye, everybody, I’ve got to go,
Gotta leave you all behind and face the truth.
Mama, ooh (anyway the wind blows),
I don’t wanna die,
I sometimes wish I’d never been born at all.
I see a little silhouetto of a man,
Scaramouche, Scaramouche, will you do the Fandango?
Thunderbolt and lightning,
Very, very frightening me.
I’m just a poor boy and nobody loves me.
He’s just a poor boy from a poor family,
Spare him his life from this monstrosity.
Easy come, easy go, will you let me go?
Bismillah! No, we will not let you go. (Let him go!)
Bismillah! We will not let you go. (Let him go!)
Bismillah! We will not let you go. (Let me go!)
Will not let you go. (Let me go!)
Never, never let you go
Never let me go, oh.
No, no, no, no, no, no, no.
Oh, mama mia, mama mia (Mama mia, let me go.)
Beelzebub has a devil put aside for me, for me, for me.
So you think you can stone me and spit in my eye?
So you think you can love me and leave me to die?
Oh, baby, can’t do this to me, baby,
Just gotta get out, just gotta get right outta here.
(Oh, yeah, oh yeah)
Nothing really matters,
Anyone can see,
Nothing really matters,
Nothing really matters to me.
Anyway the wind blows.