the 14th Arthur Rubinstein International Piano Master Competition

by richibi

Thomas Gainsborough - "The Blue Boy (Portrait of Jonathan Buttall" (1770)

The Blue Boy (Portrait of Jonathan Buttall) (1770)

Thomas Gainsborough

____________


if you’ve missed me lately, it’s because I’ve been
in Tel Aviv for the past week, virtually of course,
taking in the 14th Arthur Rubinstein International
Piano Master Competition
, and they’re not kidding,
every challenger to date has been at the very least
astonishingly dextrous, sparkling even, though
some have been hampered by their own dire
program, with the unfortunate added condition
that, for all, they must integrate one of two
commissioned works that, to my mind, are
completely uninspired

other performers have been astounding, lots
of Beethoven of course, Chopin, Liszt, the
technically utterly daunting

among the moderns Ravel takes centre stage
as an option, with too many, to my mind, of his
tedious pieces,“Gaspard de la nuit”, yawn,
“La [, yawn again] valse”

but Bartok pops up, and Prokofiev, a great set
of variations by Szymanowski, unexpectedly,
and, at one point, a completely irresistible
Ligeti, more of which later

Nikolay Khozyainov starts with the only Ravel
I’ve been able to sit through without getting
impatient, “Gaspard de la nuit” to my mind
should stay there, “La valse” should
immediately stop, but Khozyainov‘s “Pavane
pour une infante défunte”
, or “Procession for
a Deceased Princess” was everything you
would want in a dirge, solemn, transcendental,
transfixing

he follows up with a Liszt to knock your socks
off, “Feux follets”, “Fireflies”, fleet as the night
air, as mesmerizing

the final Rachmaninov sonata reminds us of
how wonderful Rachmaninov really was

watch, listen

Richard

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