Natalia Sokolovskaya

by richibi


though there have been gems among
the performances presented during
Stage l of the 14th Arthur Rubinstein
International Piano Master Competition
,
in Stage ll each contestant has been for
me outstanding, I’ve now seen six of
the 16 remaining contenders out of the
original 36, 20 are gone, cast away by
the 7 judges

Natalia Sokolovskaya had mightily
impressed me at Stage l with,
especially, her own 8 Variations
on a Theme of Paganini
” (at 15:00
minutes on the tape)
, you’ll remember

Rachmaninov’s Rhapsody on the
same theme, but for entire orchestra,
Sokolovskaya writes hers for piano
alone, the original theme, from
Paganini’s 24th Caprice, had been
of course for violin

at Stage ll her Rachmaninov First
Sonata (at 20:00 minutes)
is

transcendent, surely definitive, this
is the one I’m going to remember

her Spanish pieces (at 10:00), a
couple of compositions by Albéniz
,

are a wonderful break from the often
very abstract other works on offer,
with their immediately captivating,
beguiling, indeed seductive, rhythms

she even makes the very trite
“Reflections on Love” (at 00:00)
, a

condition of the competition, credible,
by spacing its interchangeable
movements, pausing between them,
letting them breathe, in order to
separate the varied “Reflections”,
instead of stringing them all together
as a continuous, rather than discrete
elements of a, considered whole, as
all the other performers have to date
reflexively done

no one has written anything pertinent
about love, musically, since Chopin,
with the exception of often enough
Rachmaninov, to presume to
significantly comment on love is, to
my mind, pretentious, calling for a
fall, this composer is no exception,
her thoughts are to be expected, love
is atonal, arhytmic, loud, soft, tender,
tempestuous, strident, placating

but everyone already knew that

Sokolovskaya gives the “Reflections”
dignity nevertheless despite their
overt pretensions

a recital to write home about

Richard

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