“Octet in F major”, D803 – Franz Schubert

by richibi

schubert-at-the-piano-ii-jpglarge

     “Schubert At The Piano II (1899) 

              Gustav Klimt

                  _______

there are reasons why an octet, a 
piece for eight performers, would 
be a rare occurrence in our modern
world, the most flagrant being the 
sheer number of players to 
assemble, all with international 
commitments, and all, more 
specifically, working individually, 
or in smaller composites

duos can play any choice of 
instruments, trios as well, but
quartets are usually, which is to 
say traditionally, comprised of 
only strings, first and second 
violins, a viola and a cello, 
these three groupings, duos, 
trios, quartets, are often already 
formed, play or meet together 
regularly

also musical compositions for such 
groupings abound, the canon is 
replete with music written for two, 
three or four instruments

but at five participants, a quintet, 
the combinations are less stable, 
there isn’t enough in the 
repertoire for four strings and 
clarinet, say, to play, so that a
clarinettist must be invited in
for such an occasion, any 
other alternative accompanying 
instrument would be fit in as
incidentally 

with six, of course, and upwards, 
you get egg rolls, anything can 
happen

but at eight, an octet, you need 
friends, people who’ll gather from 
their individual busy schedules to 
perform specifically together out 
of sympathy, much as friends 
would’ve back in the Nineteenth 
Century, before television, when 
the form took shape, to socially 
cut up the rug
 
if indeed it did take shape, cause I 
can think of no other octet, off hand
after Schubert’s glorious one 

Schubert’s Octet, the composition, 
with this particular octet, the group, 
is probably the best you’ll ever hear 
of either ever, Schubert’s D803 in F
major is everything you want 
Schubert to be, and in a generous 
indeed six movements, while
Janine Jansen and her friends, the 
octet performing here, with the 
requisite four strings, plus a horn,  
a bassoon and a clarinet, are 
magisterial, dare I say definitive, 
the standard now to exceed 

octets, incidentally, don’t do 
encores, for obvious reasons

enjoy

Richard

psst: for a comparable congregation 
         of friends, see Roy Orbison’s 
         Black & White Night“, equally
         as improbable, epic

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