Richibi’s Weblog

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Month: October, 2017

Dmitri Shostakovich – Symphony no. 1, opus 10

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     “Portrait of Dmitri Shostakovich (1963) 

             Martiros Sarian

                    ______

after being transfixed, rendered aquiver, by
this mesmerizing conductor in a performance
I can only remember for his magnetism, 
expressive fingers performing arabesques of 
such exquisite sensitivity, eyes that melt, 
light up, gleam, glitter, at every ebb and flow 
of the turbulent, towering, music, eyebrows 
that, blonde, cherubic, angelic, display with 
manifest intention, the spiritual implications 
of every musical turn, a youth only, in my 
senescent estimation, taking on the conquest 
of the 21st-Century world, lately installed as 
conductor, most illustriously, of both the 
Royal Liverpool, in 2005, and the Oslo, in 
2011, Philharmonics

Vasily Petrenko led me back to Shostakovich,
after his monumental Tchaikovsky 5th,
whereupon I’ve undertaken a chronological 
review of all Shostakovich’s symphonies, 
something I did long ago with Beethoven’s 
sonatas, to my great cultural advantage, it 
was a journey that informed me not only 
intellectually but, even more significantly, 
spiritually, taught me about patience, tumult, 
and the wisdom, even glory, one acquires in 
resignation, so long as you hold onto your 
principles, your core 

you look back, I told a man once, and you 
see what you’ve come through, and you 
are proud, you recognize the hero that 
you are, or weren’t

we have only our poise and grace to lend 
to the world, or our venom and invective

but I digress

here’s Shostakovich, his First, in a line 
of Shostakovichian explorations

if you’ll join me

R ! chard

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the “wall”

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    “A Sunday on La Grande Jatte (1884)

           Georges Seurat

                 ________

should you know Vancouver, you’ll
recognize, nearly immediately, the 
Seawall on this video, before even 
a minute has elapsed you spot the 
Westin Bayshore coming at you, 
nearly perilously, before the speeding 
bullet that takes you on the journey 
turns the crucial corner on the paved 
path that wends its way afterwards
around the peninsula

on foot, this takes about three hours,
but here, inspired by the music of Pink 
Floyd, on a deft reinterpretation of the 
title and music from The Wall“, their 
oracular masterpiece, an inspired 
cyclist brings this local trajectory to 
psychedelic life, if you can stand the 
unsettling disjunction between his 
dizzying speed and the grandeur 
of the transcendent, immutable,  
coastlines

you’ll need, I suggest, seatbelt,
but the ride is wild

the journey ends abruptly, both 
geographically and musically, 
just down the street from my place, 
across the road from recently 
favourite restaurant, with a view, 
just as transcendent, however not
at all disappointingly mutable, of 
the Pacific sunset, whenever we, 
family and friends, eat there

R ! chard