on string quartets – Opus 76, no 1 – Joseph Haydn

by richibi


                                   “Joseph Haydn (1791) 

                                          Thomas Hardy


to not consider other musical forms of
Shostakovich would be unfair, his
symphonies are mostly propaganda,
however often, though somewhat 
culturally specific, riveting

my favourite works of his, works I 
consider iconic, are mostly chamber 
pieces, piano solos, string quartets

a string quartet, after a symphony, is
like sitting down to dinner with four,
at the very least, acquaintances, 
rather than being a guest at a party,  
the conversation is more intimate,
every person plays hir part, everyone
is heeded, if even only with courtesy,
a social, a Classical, an aristocratic,

movements can be compared to 
courses, distinct and identifiable for
their particular culinary, musical, 

later variations on this reflect the 
variations in social mores, where 
restaurants, the modern way of
socializing, allow for disparate 
choices, often superimposed, 
throughout the meal for any,
every, occasion

dim sum, tapas, celebrate this, not

but string quartets can be tricky, I 
thought I’d start from the beginning,
with some Haydn, their recognized 
Father, you’ll understand when you
hear this, his Opus 76, no 1, an 
outstanding string quartet to live 
up to

Haydn set the standard for string 
quartets when the norms of Western 
music were being established, Bach
had given us the alphabet, the
well-tempered clavier, Mozart, the 
grammar, the structure of music,
tempo, tonality, repetition, Beethoven 
gave us the literature, the poetry, the 
philosophical, the transcendent

Haydn is somewhere between these 
last two, but decidedly, still, the king  
of the string quartet, though Beethoven  
does a good job of trying to best him,  
and so does Shostakovich, you’ll have 
to pick

but first, let’s start with Haydn, that’ll
be already, you’ll see, or hear, enough

later, I’ll get into it

R ! chard