String Quartet no 22 in G major, opus 17, no 5 – Joseph Haydn

rhythm-1956(2).jpg!Large.jpg

       Rhythm (1956) 

            Bice Lazzari

               ________

before I return to string quartetsand 
Haydn, here’s a divertimento, Mozart’s
First, I couldn’t let it pass, it sparkles 
from the very first instant

Mozart himself confounded his musical
definitions, he called his early string 
quartets divertimenti, before they were 
compiled by his own bibliographer, 
Köchel

notably, however, divertimentos were 
meant to be joyful, light, fluffy, no, in 
other words, adagios

this might create the problem of 
confusing movements, however, that 
have similar tempos, blending one 
indistinguishably into the others, so
that no particular theme stands out,
you leave the show not singing

dance rhythms help that, it’s not too 
hard to tell a jive when it follows a 
tango, or a polka, it’s something in 
our blood

but the more abstract tempos – 
andante, allegro, adagio – as musical 
prompts are cerebral concepts, and 
their airs more suited to singing, not
dancing

from the Baroque suites – sets of
musical dances, gavottes, minuets,
and so on, which were the model
for the string quartets, and indeed
divertimentos of the later 18th
Century – chamber music was 
evolving towards a more abstract 
level of musical conversation

Haydn and Mozart were setting up
the grammar for that, the Classical 
structure, and letting others take 
care of the nomenclature

note that though the performance 
here is electric, the piece, one you’d 
even pay for, you’ll wonder if Mozart 
even changed the music, or was it 
only the rhythms he altered, his 
middle andante wasn’t slow enough 
to make a dent in the general flow, 
the tenor, the mode, the mood of  
the composition

here’s Haydn’s String Quartet no 22,
opus 17, no 5, in G major to compare

though not as crackling as Mozart’s 
Divertimento in this, at least, particular
productionjust listen to what a little 
adagio can do for you, to anchor the 
entire experience in your heart

note also that the second movement 
is still a minuet, a dance step

this will change


R ! chard