how to read music – Cello Sonata in D major, opus 102, no 2 – Beethoven

head-in-black-and-green-1913.jpg!Large

     “Head in Black and Green (1913) 

            Alexej von Jawlensky

                    ___________

the line of music, the essential melody, 
is not resolved in Beethoven until several 
bars from the beginning in his Fifth Cello
Sonata, one note follows another without 
any specific reference to what preceded it 
but the tempo, and the voice, which is to 
say, its tonality

there is ever, however, though perhaps 
sometimes eccentric, a harmony, a 
convincing argument, we are speaking 
the same language

as in reading, one follows the musical 
line for those several bars, hanging 
onto each note for meaning, spotting 
even commas, semi-colons, periods, 
however unconsciously, until one 
reaches the end of the paragraph,
made evident by the recapitulation

therefore music
 
which doesn’t only, however, 
recapitulate, here, but elaborates, 
adding depth, dimension, local 
colour, to the already intricate 
story

Beethoven is challenging the very 
idea of music in this composition
much as later the Impressionists 
did, for instance, when they 
upended the entrenched idea of 
merely representational art – 
process I saw reverberating in my 
very own 1950’s, ’60’s, when even 
Monet, people objected, could’ve 
been managed by their children

Picasso, of course, was, at the time, 
nothing less than a joke, not to 
mention any of the Surrealists, or – 
gasp – the Expressionists, see
above


I prefer the very early cello sonatas  
of Beethoven, for their verve, their 
energy, the second movement, the 
Adagio con molto sentimento 
d’affetto” in this late oneoverdoes 
it, I think, a little, it’s like sitting with 
someone you can’t leavewhose 
sorrow is immense, and which you 
can barely handle, but must, out of,
if nothing else, chivalry, or common,
and insuperable, one hopes, human
compassion
consider, and duly, 
thus, proffer, ideally, grace

who hasn’t been there


R ! chard

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