mass appeal, or “Missa Solemnis”, opus 123 – Beethoven

by richibi

Hofkirche (Dresden Cathedral) and the Elbe River, Dresden, Saxony, Germany

    from the centre, the Hofkirche, the Dresden Cathedral, across from the 
    Augustusbrückeor Augustus Bridge, extends into the Zwinger, one  
    of three only palaces in Europe, along with Versailles and Vienna’s 
    Schönbrunndistinctly horizontally to the right, not to be confused 
  with a crook in the Cathedralan intolerable, were it so, ecclesiastical  
   gaffe, it ‘s now become one of the most significant art galleries in  
   Europe, the green rooves, to the right still, are the Semperoper‘s, the   
  black roof, nestling before it, an unforgettable Italian
  restaurant 

  before it all, majestically, the Elbe

        _______

from the very Semperoper in Dresden,
where I’ll ever remember seeing the 
worst “Barber of Seville” I’ve ever seen,
first balcony, left of centre, Figaro came 
out on a motorcycle, I ask you, it was 
downhill after that, my mom, beside 
me, was falling even asleep, we left at 
intermission, soldiered on to a 
restaurant overlooking the Elbe, Italian
if I remember, but utterly more enjoyable 
than the disappointing operatic option, 
there might even ‘ve been a moon at our 
tableside window, picturesquely 
shimmering on the river

but, hey, we both would‘ve stayed,
incontrovertibly, for this performance
Beethoven’s Missa Solemnis“, a late, 
and towering, entry, 1823, in his opus 
– second definition of that word, which 
is to sayhis entire output, all 135 
opuses, first definition there, discrete 
compositions – plus all his works 
without opus – first definition again – 
numbers, WoO

the plural of opusincidentally, can 
also be, both meanings, opera, just 
to confuse things, I use either
interchangeably, according to my 
narrative rhythm

 
missae solemnes, plural of missa 
solemnis, are a particularly Catholic
form of music, going back to the 
very Middle Ages, at which point 
religious art was all that really 
mattered, anything else was entirely
peripheral, of no consequence 

but Catholicism, and its Protestant
offshoots, which is to say, their 
common Christianity, remained 
culturally entrenched during the 
process of their slow disintegration

Nietzsche would, later, take care 
of that, but that’s another story

Beethoven, Mozart, Catholics, if, 
either, only by name, delivered 
missae solemneswhile Bach, 
Handel, both Protestant, 
delivered oratorios, with some 
intermingling

about which, later

Catholic, Protestant expression still
find, even strong, exponents at 
present, though the form is, 
essentially, outdated, our anthems 
are national, now, mostly, if even 
somewhat, that, halfheartedly, when 
notparadoxically, searchingly, 
hopefully, and maybe even
revolutionarily, again, ideological

imagine Imagine for instance, as 
suchjust click


R ! chard

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