Piano Sonata no 29 in B♭ major, opus 106 – Beethoven

by richibi

Front_views_of_the_Venus_de_Milo

       Venus de Milo

            _______

here and there, an artwork has presented 
itself to me as transcendent, which is to 
say that in its presence, I quivered, 
experienced verily cosmic transmission 
of energy, a sacred communication 

the Venus de Milo, in the Louvre, who
breathed, existed, as I turned a corner
and beheld her, imperiously presiding,
holding undying, immortal court, as a 
goddess indeed should, would, and
there profoundly did, and does, I  
suppose, still 

the Sistine Madonna“, in the Zwinger
in Dresden, mesmerized me from a 
distance as I approached her, along  
a long row of corridors, towards a 
resplendence that was 
incontrovertible, a very epiphany, I 
still reverberate recollecting her  
incandescent majesty

Beethoven’s Opus 106, his 
“Hammerklavier”, is such a work, 
not evident perhaps before the third 
movement, the “adagio sostenuto”,
which will, I suspect, stop you dead 
in your tracks, arrest you from its 
very first mystifying moments
magical, miraculous   

Beethoven’s “Hammerklavier” is 
the first piece of his to have moved
from being descriptive, narrative, 
to being philosophical, meditative 
in its motivation, emotions are 
evident, but evoked only in the 
context of exploring something 
grander, something metaphysical, 
you come out the other end having 
gone to church, having explored a 
spiritual environment, you exit
perhaps not absolved, but 
somehow understood, reassured
comforted, counted

a lot, incidentally, like Bach, note, 
plying his cantatas and oratorios, 
not to mention his introspective 
fugues, a not to be unremarked 
atavism, how grandchildren 
resemble, even imitate, however 
unconsciously, their grandparents, 
I even have such pictures

more about all of which later 


R ! chard

psst: something I found cute as I 
          brushed my teeth between 
          the movements, the 
          “Hammerklavier”  is in the 
          same key as my electric 
          toothbrush, B-flat major, a
          robust, I assure you, way 
          to greet the morning

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