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Month: July, 2019

who’s afraid of the subjunctive

impression-sunrise.jpg!Large

Impression, Sunrise” (1873)

Claude Monet

________

who’s afraid of the subjunctive

much like Elizabeth Taylor as Martha
in “Who’s Afraid of Virginia Woolf?”,
my answer is, I am, George, I am

the subjunctive is an esoteric mood,
even more abstruse in English than
in other languages, where the verb’s
conjugation highlights its presence,
in English, it’s nearly identical to the
indicative, the mood everybody
instinctively speaks in, facts

the subjunctive is about aspiration,
like the conditional, abstract, not
real, but its intention, rather than
the conditional’s inherent
impediment, a condition, shoots
for the stars, isn’t introspective,
but adamant, imperative

it is necessary that one be, it is
urgent that one have, it is
important that one effect, a
particular thing or event, all
subjunctives after the
doorkeeper word, “that”

one finds the subjunctive in
Shakespeare, master of grammar,
perhaps unparalleled in English,
a lot – O, that this too solid flesh
would melt, / Thaw and resolve
itself into a dew!
– and follows
with Elizabeth Barrett Browning –
Pardon, o pardon that my soul
should make, / Of all that strong
divineness which I know / For
thine and thee …,
for instance,
who is so profoundly indebted to
Shakespeare for her aesthetics

one wondrous day, I realized that
Proust’s entire À la recherche du
temps perdu
, his “In Search of
Lost Time
“, my Bible, was set in
the, French however, subjunctive,
the mood, there as well, of
possibility, therefore rather than
the definitive recreation of an
earlier time, Proust was
describing a sensibility, a personal
interpretation of a previous reality,
however bolstered by intimate and
apparently precise recollection of
shimmeringly imprecise, though
personally accurate, impressions

note here the similar preoccupations
of Proust’s contemporaries, the, aptly
named, Impressionists

everything, Proust was saying, as
were also the Impressionists, is in
the eye of the beholder

the subjunctive is the mood that
sets this instinct in motion

R ! chard

psst: Somerset Maugham I remember
being noteworthy as well for his
immaculate use, in his South
Pacific tales, of the subjunctive,
extremely elegant in its refined
construction, even with its
English austerities, like making
lace out of mere cloth, impressive
despite its impracticality, or
perhaps even because of it

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Concerto for Keyboard / Violin, BWV 1052 – Bach

2.jpg!Large.jpg

     “The Nightwatch (1642) 

 

                  Rembrandt

 

                       _____

 

 

                                for Barbara, who dutifully 

                                      kicked me in the psyche

 

 

there is apparent discussion about whether

the BWV 1052 of Bach was first a keyboard 

or a violin, concerto, I’ve only known it as a 

keyboard concerto till now, when looking 

for it for a friend, I happened upon this 

recently published rendering of an event 

that took place at the Rijksmuseum in 

Amsterdam in front of the very 

Nightwatch” of Rembrandt, historical  

epochs coming iconically together  

 

which is why, incidentally, I love Europe,

Disneyland for adults, where epochal

periods come together like fantasies,

tossing back at us their manifest, their

multifarious, and mythic glories  

 

 

what do you think, which came first, the

chicken or the egg,  the keyboard or the

violin

 

I think, however prejudicially, the 

keyboardbut what do I know  

 

enjoy either, they’re both riveting 

 

 

R ! chard

 

psst: note how the painted faces and the real

          faces in the violin version look alike,

          Rembrandt‘s genius