Piano Concerto no 2, opus 19 – Beethoven

allegro-con-brio-bourke-st-west-1890.jpg!Large.jpg

     Allegro con brio, Bourke St. West (1890) 

 

                Tom Roberts

 

                    ________

 

 

a concerto is a movie, but for the ears,

one listens, rather than looks, for one’s 

information

 

quite specifically, Beethoven introduces

drama into his inventions, where earlier 

there’d been merely an invitation to the 

dance, minuets, for instance, gigues, or 

disparate, disorganized, appeals, 

otherwise, to our more interior, whether 

secular or mystical, emotions, see in 

this context, for instance, early adagios, 

heart-wrenching, melting often, odes

 

these, or the even slower largos, fit 

neatly, however, into Beethoven’s 

compositional scheme of things,  

between the introductory allegros,

often con brio, and the closing, 

and equally spirited rondos, by 

becoming the pivotal element in 

his intended musical evening, the 

core of his narrative presentation, 

the plangent centre of his three 

part play, film 

 

here’s his Second

 

listen

 


R ! chard