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Category: Guiseppe Verdi

“La traviata” – Guiseppe Verdi

La_Dame_aux_camélias_d'après_Charles_Chaplin

             La Dame aux camélias

       Charles Chaplin (1825 – 1891)

                       _________

this version of La traviata has no
subtitles, but it should be remembered
that only a few years ago none of them
had, 
not even in opera houses

I learned to love La traviata on CD,
couldn’t 
either see the performance
then, 
now the internet supplies us,
gratis, with complete operas, from
very 
Gluck‘s to very Philip Glass
with the text 
translated throughout


a synopsis 

Violetta is a courtesan, a traviata, a
f
allen woman, who’s fallen all the way
to the top of Parisian 
society, she has
just recovered from malaise and is 
hosting a celebration, her salon 
entertains many who’ve been 
instrumental in securing her not 
unsullied reputation, it is the world 
of Marcel Proust

a new suitor arrives, Alfredo Germont, 
who pledges his love undying, she is 
eventually seduced, by his, no doubt,
impressive arias, croce e delizia, he
sings, she counters, agony and 
ecstasy, indeed

the ups and downs of love ensue,
Germont’s father objects to the match,
claiming Alfredo’s sister’s chances
at marriage would falter should her 
name, their name, be defiled, he 
convinces Violetta to leave Alfredo
for the sake of his family, whereupon 
everyone feels betrayed

Alfredo, Alfredo, she cries, di questo 
core non puoi comprendere tutto 
l’amore, Alfredo, Alfredo, you cannot 
understand fully the love I have in 
my heart, she moans, begrudges
 
but love conquers all in the end, 
though not life, as it turns out, Violetta 
succumbs to her malaise, which had 
all along been consumption, 
tuberculosis nowadays

you’ll see Spanish dancers, gypsies,
they are part of Violetta’s entertainment,
have nothing to do with the story,
otherwise the music itself tells all

the camellia, note, which you’ll see 
highlighted here and there, is a 
reference to Violetta’s inspiration,  
the novel by Alexandre Dumas, fils, 
or junior,  his La Dame aux camélias“, 
which the same author shortly 
thereafter made into an equally 
successful play, Camille” in English, 
the lady of the camellias, incidentally, 

Renée Fleming has taken over the role,
from Maria Callas in the Fifties, then 
from Joan Sutherland in the Eighties, 
she is the traviata for this generation

she is perfect, her arpeggios will 
shoot up your spine 

listen


Richard

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“Macbeth” – Guiseppe Verdi‏

  "Macbeth" / Welser-Most, Zürich Opera

Macbeth / Welser-Most, Zürich Opera

______________

Giuseppe Verdi’s “Macbeth” has everything
you’d ever want out of even the very best of
Shakespeare’s, but with also music, rich,
passionate, searing

in this production, Thomas Hampson is
every inch Macbeth, warrior, murderer,
king, to date my very favourite incarnation

his wife, Paoletta Marrocu, unknown till
now to me, is a sinuous virago, seductive,
maleficent, deadly, “all the perfumes of
Arabia will not sweeten”
indeed “this
little hand”,
Lady Macbeth usually steals
the show if she’s able, here she does it,
incontrovertibly, again

the witches, dependably weird, malicious,
are mesmerizing, wait for the ghoulish
“Unknown Powers” telling of Birnam
Wood, and prophesying that “none of
woman born / Shall”
neither “harm
Macbeth”

chilling

brilliant

do not not watch

Richard

psst: “Tomorrow, and tomorrow, and tomorrow,
Creeps in this petty pace from day to day
To the last syllable of recorded time,
And all our yesterdays have lighted fools
The way to dusty death. Out, out, brief candle!
Life’s but a walking shadow, a poor player
That struts and frets his hour upon the stage
And then is heard no more. It is a tale
Told by an idiot, full of sound and fury,
Signifying nothing.”

“Macbeth”, act 5, scene 5