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“Cairo Time”

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     “Street In Cairo (1873)  

             Konstantin Makovsky

                         ____________

many years ago, when I was in my 
skittish twenties, and the world had 
opened up to me as I’d started work 
at an international airline, I opted 
to go to Tunisia, less harried than 
Morocco, I thought, and probably
less expensive 

a friend had asked to come along,
who worked for the same company 

Judy was my age, honey blond, lithe,
curvaceous, voluptuous, though
ever entirely unassuming, we made  
a lovely pair

but soon the locals had our number,
understood that I was merely her
friend, no challenger for her 
affections, somehow

from our seaside hotel in nearby
Hammamet, a coastal resort, we set 
out our first day for the nearby capital, 
Tunis, a dusty town, I remember, a 
cowtown, or a camel town, north of 
the Sahara Desert, with shoddy 
buildings and not much else, I was 
young

we found ourselves on the Boulevard 
Habib Bourguiba, the name of the first
President of the Republic of Tunisia,
not paved then, or with what we used  
to call soft shoulders, when the 
pavement doesn’t reach the sidewalks, 
where we looked for a restaurant or a 
coffee house to get our bearings 

inside a nondescript place we found
for lack of anything else, we sat down,
had a coffee, looked around

it didn’t take long for us to realize that
Judy was the only girl in the place, so
we finished our fare and took off

when all the men in the place followed

we found a cab to take us back to the 
hotel and didn’t return to Tunis apart  
from accompanied 

but that’s another story

it’s seemed so hard for me to explain
this to people who haven’t experienced 
this discomfort cause this kind of
indignity is so foreign to us, offensive
and hard to imagine

but a film I just saw about Cairo, 
Cairo Time“, gives a good impression 
of the differences in our cultures

were it only for this insight, I wouldn’t
suggest this movie, but because it is
a wonderful travelogue through this
remarkable city, with views of bazaars,
pyramids in the distance, and all of it 
in splendid cinemascope and colour, 
the film is a marvel 

Patricia Clarkson, an actress I greatly
admire, plays the role Katharine 
Hepburn played in Summertime“, 
one of my all-time favourite movies,
of a woman alone in a city, needing
to trust in the kindness of strangers 

Clarkson‘s kind stranger is no slouch 
either

watch

Richard

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“My Romance” – Carly Simon

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       Hot Jazz (1940) 

               Franz Kline

                        _____

in this video of one of her concerts, 
Carly Simon tells the story of how
when she told her special guest on
the program, Harry Connick Jr., that
he was born the same year as 
Sgt. Pepper, he answered, Sgt. Who

   “Harry, you were born the same year that 
                     Sgt. Pepper came out”, she said
   “Sgt. Who”, he answered

the same had happened to me when  
I’d told someone, a sprite, ten years 
younger, don’t ask, about my 
admiration for Susan Hayward
Richard, he asked, who’s Susan 
Hayward, to my utter consternation

I mean, Susan Hayward

you might not know who Carly Simon
is, nor even Sgt. Pepper, but the story 
is that those who once had been our 
very idols fade and become question 
marks in the eyes of the following 
generations

you might not either know who Harry 
Connick Jr. is, but listen to both of 
them here, Carly and Harry, put 
together an entertainment enough 
to turn an otherwise lazy hour into 
an unmitigated enchantment

Richard

“Tango Lesson” – Lisa Richter

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    El Jaleo (1882) 

          John Singer Sargent

                   _________

Tango Lesson

After a history lesson, crash course in Buenos Aires
a hundred years before our time, we begin

at last. You gently place my arm over yours, my hand
on your shoulder, our bodies distant enough 

to have an invisible body between us – this is open embrace,
you explain, abrazo abierto. We dare not dance in abrazo cerrado,

where our chests would nearly touch – I’m not single-
minded enough about learning these moves to unlock

what I fear might spill out, should I let myself fall
into your hazelnut voice – so rich and deep I might never

emerge from it. You teach me the new skill of following,
though your lead feels less like control and more

like stewardship, carving swans of negative space
that stretch their graceful necks along the diagonals 

of our bodies. We’re in a conversation of pauses
and advances. I step too soon, but you are eminently patient,

your large hand over mine, poised mid-air, a paper crane
mid-flight. As you shift your weight from side to side,

I wait, trying to sense which way we are going,
and for a moment, I have the chance to look at you not

looking at me, your calm grey eyes fixed above my head.
On the small of my back, your warm hand –

a breathing orchid, cupped flame. 

                                                    Lisa Richter 

             ____________

                                         for, especially, Tonyia

the clash of cultures is exposed to the light
here as a tango dancer teaches an English-
speaking novice how to dance 

there is no evident metre in the verse, the
poem is in prose, contained within terse, 
two-lined stanzas which act as constraints
on the forward flow, however ever fluidly 
continuous, like tenutos in music, where  
the note is held, dramatically, before a 
return to the original rhythm

but slowly this prose develops its own
irresistible rhythms, an abandonment 
to the metre of the whole, a languid 
surrender to the pulse and propulsion 
of the dance, and becomes, despite 
its, ahem, flat feet, a poem

the very vocalic construction of  
Romantic languages, abrazo abierto
for instance, or abrazo cerrado, 
propelled by vowels for their forward 
motion, in imitation of the heartbeat,  
preclude in natives unfamiliarity with 
cadence, the tango is already in their 
blood, the teacher here ineluctably 
lives, breathes, hir ethnic identity

Anglo-Saxons and Teutons excel, 
rather, at political science and 
philosophy, more sober, cerebral 
preoccupations, suppressing 
gutturally in their glut of gurgled
consonantsthe more carnal 
allure or, from a primmer
perspective, temptations, of the 
senses

which Romantic poetsincidentally
pointedly sought out in the seductive
rhythms of the Mediterranean, much 
as this very student succumbs to the 
breathing orchid’the cupped flame 
of this tantalizing tango

Richard

April 21, 2017

      “Mount Fuji Seen Throught Cherry Blossom

             Katsushika Hokusai

                        _____ 

walking to market today, slowly, so as to   
not upset my aching back, but conversely 
also to smell the flowers, I stopped to 
read the poetry someone, or rather, some 
people – for you could tell by the different 
literary moods and styles – had written on 
the sidewalksome not at all bad

my favourite had these lines which shall 
for me remain immortal for their verve  
as well as for their quirky ambiguity

    don’t forget to shine your light
    nothing can stop your kryptonite

kryptonite is the substance that killed 
Superman, I thought, had this been 
overlooked by the poet or had s/he 
taken this into account, is there a 
contradiction here or a paradox,
riddle or just nonsense, one could’ve 
instead used dynamite, I surmised, 
then carried on

above me the cherry blossoms bloomed,  
powder pink and white, the same colours, 
I noted, as the chalk used on the sidewalk, 
life coincidentally imitating art, reflecting, 
commenting on it

Richard

 

Aristotle, an objection

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      “The School Of Athens (1510 – 1511) 

               Raphael

_______

upon reviewing my Socrates, Plato, and
Aristotle from a series of university  
lectures I’ve been following, I came upon 
a discovery so egregious, I couldn’t
believe I hadn’t seen it before, the old
story of the forest and the trees, I guess

upon hearing that the Oracle at Delphi
had replied that it was Socrates to those 
who’d wondered who the wisest man
was, Socrates, abashed, began to seek 
out wise men to disprove the Oracle, 
but whenever Socrates asked of them
what is virtue, what is justice, what is 
knowledge, for instance, the answers 
were always inconclusive, they always 
seemed to depend on perspective –
virtue, justice, knowledge were in the 
eye of the beholder – though Plato 
later putting in his own definitions
called them Ideals, a chair partook,
for instance, of an overarching 
chairness somewhere, as did indeed 
virtue, knowledge and justice, which 
inferred another ideal universe 
contiguously, of which our own 
universe supplied only imperfect 
renditions

you can hear the seeds of Heaven and 
God already in all of that, way before 
Christianity, not to mention Original 
Sin

it also suggests an implacable order

Socrates wouldn’t’ve liked that

but Aristotle, with a much more critical 
mind than Plato’s, less speculative, more 
akin to Socrates’, less autocratic, more 
inquisitive, begins to try to define,
nevertheless, abstractions, virtue, 
knowledge, justice, as though they
indeed existed as ideals

this is putting the cart before the horse,
I thought, in the form of a revelation

an instance exists in the act of creation,
a physical transformation produces a 
flower, the flower doesn’t happen 
because of the word

a human example

for surviving an aneurysm once, someone, 
to my astonishment, had called me 
courageous, I’d been, I thought, only
surviving, not an inch of courage, not 
even a millimetre

courage, I surmised, is in the eye of the 
beholder, it is not at all a template, an 
absolute, in my experience 

Aristotle goes on to define a host of
Virtues, indeed 11, which come out as 
essentially his Eleven Commandments,
on, in fact, courage, among others, all 
essentially, and appropriately, moral, 
thereby creating the moral realm of 
our Western world

Jesus followed

and of course God and Heaven

which, of course, still prevail despite 
sound, sober objections

as though we could know

why is this important

because, I think, we must remember 
that our assumptions are only that,
and often they’re based on only what 
we’ve been told, which is already a 
step away from incorrect 
interpretation 

in the world of false news, check 
your references, check your very 
words, our lives, it isn’t too much 
to say, I believe, depend on it

not to mention our own personal 
moral code, our soul, our purpose 
for being, which every wo/man 
must oversee for hirself

if one has the courage 

Richard

“Approaching the 45th American Presidency” – Stephen T. Berg

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   “Display Of Chickens And Game Birds (c. 1882) 

            Gustave Caillebotte

                   __________

a poem should always be read at least 
twice, once for its content, then once 
again for its style, which is where you 
get the real magic

much as you’d stop to smell a rose

also a poem should be read out loud, 
for even more magic, not to mention 
more understanding

the following poem, from again the 
Westender, verily bristles with invention, 
it uses every hue of a rich grammatical 
palette from resonant onomatopoeia to 
lilting alliteration, by way of touches of 
hyphens for accent, an incidental, 
confidential set of parentheses, 
capitalized words, italics, among an 
array of other playful literary devices

I love especially its “chicken” refrain, 
which anchors it as a poem, asserting 
its proud, however unassuming, 
pedigree

I love, as well, “gelid giblets

Richard

psst: the links in the poem are mine,     
          couldn’t find a “Drumpf Meats

____________________

Approaching the 45th American Presidency

I leave Planet Earth Poetry at the Hillside Coffee
after listening to an enjambment of poets,
fervently consider the current state of the American presidency,
and on my way home remember I need to prepare and marinate
the chicken for tomorrow night’s dinner,
                that’s the chicken
I bought from Drumpf Meats earlier in the day that I thought (although
I didn’t ask) was fresh-fresh, but was in fact alternatively-fresh,
as I found remnant formations of ice crystals in the cramped cavity,
and the oblique neck, stuffed within, was polar-stiff,
and the gelid giblets, notably the orange-hued heart, was glacial-cold,
meaning this or more: that the bird hadn’t come straight from the abattoir
to its place behind glass, but had spent time in cryogenic rime
and I remembered too,
                that a chicken
can live without its head for an ungodly duration,
which beyond all reason,
made me approach the fridge
with unimpeachable apprehension.

Stephen T. Berg

“Bees” – Rachel Rose

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     “Two Girls And A Beehive 

                    Stanley Spencer

 ___________

The Westender, our community paper,
which comes out every Thursday and 
has done so for years, and which you 
can pick up throughout the week, free, 
on street corners in its assigned boxes, 
has only recently started a new section
showcasing local poetsnot to mention, 
itself, poetry

you’ll be impressed

here’s the first instalment 

   Bees

   The farmer asked me to host a hive
       and I said yes thinking honey,
           without the sting, thinking

   do your small
       part and let the bees do theirs.
           The hive was a box of many rooms

   hot with life.
       It throbbed under its tin roof.
           All summer their flight path

   hung its line of light across the deck.
           Those gold cells swam to the door
                   of the hive, dusted with lust from blossom.

   If a wasp dared come, they were ready
    to kamikaze down, force the intruder out
           in a buzz-tussle to the death. I crouched.

   I watched the stinger torn from the bee’s body
       trailing cream. Even in death, bees are never lonely.
           The hive is myriad.

   The hive is more than the bees.
       Sometimes I stood close to vibrate with them,
           drone of sun, pleasure of reaching beyond the limited

   human. O stamen, pistil, I let them tangle in my hair
       I hung up their flight path. Then came the virus,
            and then the wasps. There was no keeping them out.

   I crushed a few invaders, before I stopped,
       stupid human, helpless as any God
           before the laws of relativity.

   The farmer and I could barely look at each other
       and the leaves fell and brought winter.
           But can we try again? I begged, like a woman

   who wakes to a bed of blood, can we try again?
       The serious farmer said, Of course. The struggle
           is all that keeps me here, in this plague time

   where bees drop, the hive is cold, a few hornets
       drift, a virus drifts, pesticides drift over lawns
           lush as death, fields of strawberries so poisoned

   and perfect one bite brings the sleep
       of a hundred years. Can we try again?

                                         Rachel Rose

Richard

psst: Pat would’ve liked this

“Daffodils” – William Wordsworth (an epitaph)

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     “Wild Poppies, Near Argenteuil” (1873) 

             Claude Monet

                  ________

                                                  for Pat

a dear friend passed away recently, 
Pat, the mother of my partner, who
passed away himself nearly 30 years 
ago, was already of a certain age at
which death follows closely tripping 
us up with itches and cramps and 
dire debilities as we walk along the 
winding road that isn’t that long any 
longer 

she’d already acquired Alzheimer’s 
though she read stillunderstood, 
even poetry, though she could not 
remember what had happened 
yesterday even, however traumatic, 
that she’d fallen the day before, for 
instance, and bore still corroborative 
angry scratches escaped her, left 
her puzzled, though never rattled,
ever compliant

you can forget all you want, Pat, I’d
said to her earlier in her prognosis,
but don’t ever forget I love you

since, during our regular Internet
encounters, along with her husband
on her end, she’s left the conversation
to him, but wraps her arms around 
herself and tells me she wants to hug
me, we always end our visit with I love 
you’s

when I went to visit her in hospital, 
where she’d ended up following more 
falls, which indicated eventually dire
complications, I brought her a teddy 
bear

here, Pat, I said, I can’t be here always 
to hug you, but you can think of me 
when you hug this bear

she died a few days later, the last 
words we said were, I love you, I
love you, before I flew back home 
to Vancouver from Victoria

I was sad, I lit candles, then a day 
later I thought, how do I get out from
under this somber cloud, I should  
listen for her, I remembered

talk to me, Pat, I’ll hear, I entreated

when my dad died, I’d said, talk to 
me, Dad, I’m your son, I’ll hear, and 
I did

when his sister died, a beloved aunt, 
I’d lit a scented candle inadvertently
in commemoration, when the air 
suddenly filled with the aroma of 
rosemary, which had wafted in on the 
exhalations of the candle to fuse with 
my own reveries in epiphanic, verily 
transcendental, conversation 

adagios, also, always remind me of 
John, Pat’s son

talk to me, Pat, say something, I 
said to the ether, and listened

last Thursday, at the service, turning
to the last page of the programme
which had been provided, I began to
read her favourite poem

I wandered lonely as a cloud, I read
but couldn’t make it through the next
line, tears welling up in my eyes, my 
mom, who was with me, holding my 
hand

thank you, Pat, I said, overcome with 
emotion, this poem would be her 
teddy bear to me

Richard

         ________________

Daffodils

I wander’d lonely as a cloud
That floats on high o’er vales and hills,
When all at once I saw a crowd,
A host of golden daffodils,
Beside the lake, beneath the trees
Fluttering and dancing in the breeze.

Continuous as the stars that shine
And twinkle on the milky way,
They stretch’d in never-ending line
Along the margin of a bay:
Ten thousand saw I at a glance
Tossing their heads in sprightly dance.

The waves beside them danced, but they
Out-did the sparkling waves in glee: –
A poet could not but be gay
In such a jocund company!
I gazed – and gazed – but little thought
What wealth the show to me had brought.

For oft, when on my couch I lie
In vacant or in pensive mood,
They flash upon that inward eye
Which is the bliss of solitude;
And then my heart with pleasure fills
And dances with the daffodils.

                         William Wordsworth

on truth

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        La carte blanche” (“The Blank Signature”) (1965) 

              René Magritte

                 _________

being part of the truth, or Truth, we can’t 
see the forest for the trees, ever

Richard

 

 

“First Piano Concerto” – Pyotr Ilyich Tchaikovsky

concerto-1975

      “Concerto (1975) 

               Jack Bush

                         _____

if there’s a piece that defines Classical music
for most people, encapsulates it, even for 
those who aren’t especially interested in 
Classical music, that piece would be, I think,
Tchaikovsky‘s First Piano Concerto

strictly speaking Tchaikovsky isn’t a Classical
composer, but a Romantic one, the Classical 
period in music having been transformed 
some years earlier into the Romantic period
by none other than Beethoven1770 – 1827, 
perhaps the most transformative composer 
of all time – Tchaikovsky‘s First Piano Concerto
was written in the winter of 1874 – 1875, pretty
well at the end of the Romantic Period, which 
then ceded to the Impressionists, just to get 
our periods right

what the Romantic Period added to the 
Classical Era was emotion, sentiment – note 
the use of tenuto, for instance, beats being 
drawn out, languidly, longingly, for pathos – 
what it maintained was the structure, the 
trinity of Classical conditions, rhythm, tonality, 
and repetition, which is why even the most 
uninformed listener will usually be able to 
sing along throughout the entire performance
the blueprint is in our collective blood, in the 
DNA of our culture

to remain present a piece must remain 
relevant to the promoter, an interpreter must
have reason to play it, substance surely plays 
a big part, but technical considerations play 
perhaps an even greater role towards a great
work’s longevityChopsticks“, for instance, 
is good but it won’t fill a concert hall  

unless, of course, it’s with Liberace

the “First Piano Concerto” of Tchaikovsky is 
the Everest of compositions, emotionally
complex and technically forbidding, nearly 
impossible, it would seem, were it not for 
those few who’ve mastered its treacherous 
challenges, conquered its nearly indomitable  
spirit

Van Cliburn put it on the map for my 
generation, with a ticker tape parade in 
New York to confirm it

Martha Argerich later on kept the ball rolling

and now Behzod Abduraimov, a mere youth, 
born in 1990 in UzbekistanTashkent, delivers 
by far the best performance I’ve seen since,
giving it new life for the new millenium
 
behold, be moved, be dazzled, be bewitched  

Behzod Abduraimov, watch

Richard