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Tag: Opus 28 – Chopin

Preludes – Debussy / Gershwin

rhythm-2008.jpg!large

    “Rhythm (2008) 

 

             Romul Nutiu

 

                         ______

 

 

here’s Book 2 of Debussy’s “Préludes”,

for a total of 24, as many as in Chopin’s 

undivided set, his Opus 28but with 

different motivations, different musical 

imperatives, which I won’t get into here 

for being, for the present, too abstruse

 

here are three, meanwhile, by George 

Gershwin, just for kicks, his only three 

 

what are the differences

 

you tell me

 

 

R ! chard

 

psst: Gershwin, to my mind, adds, 

          indeed stresses, rhythm, 

          fascinatin’, as it were, rhythm,

          he’s no longer as unrelentingly

          meditative, serious, as was

          Debussy, a distinguishing

          characteristic of the

          increasingly American 20th

          Century

       

        

Chopin / Debussy – Preludes

prelude.jpg!large

       “Prelude (1909) 

 

               Willard Metcalf

 

                         _________

 

 

what’s a prelude

 

something that, by definition, 

precedes something else

 

which it had been, formally, 

before Chopin made it stand 

alone as musical form, 

much, incidentally, as he 

later did the scherzo 

 

a prelude, earlier, had preceded

several other dance pieces in

suites, Bach’s Cello Suites, for 

example, all start with a

prelude

 

or fronted fugues, in, again,

notably, Bach’s celebrated 

Preludes and Fugues sets, 

more of which, for their 

complexity, later

 

here’s Chopin, however, with 

his array of 24, his Opus 28

one for each key, incidentally, 

much in the manner of Bach’s 

template pieces, the Preludes

and Fugues

 

here’s Debussy’s Book 1

picking it up for the 20th 

Century, with his tonally

indiscriminate 12 

 

what’s the difference

 

you tell me

 

R ! chard

 

psst: apples and oranges, I think,

          depends on my mood that 

          particular night, whether

          meditative or melancholy